Since I don’t like writing about myself, but need to promote myself as well, take the below bio with the grain of salt.
Six-string vituosos are a dime a dozen these days, but the torent of notes that Joe Myers is able to coax from his guitar tends to qualify more as slieght of hand than mere musicianship,” says the Phoenix New Times. “He paints incredible complex landscapes for a solo artist. He’s the magic man.”
Myers has been back in Phoenix for some time after a two year stint in New York City where he lived in the historic Hotel Chelsea, recording his most recent album. Lincoln Center, Village Jazz Fest, the Living Room and The Bitter End are some of his noted NYC performances. His original song writing, exotic tunings and world-class gift for phrasing and texture establish him as a formidable musical force where ever he performs.
His versatility has led him to work in film, festivals, dance, and production projects. He has long worked in tandem with renowned composer Brent Michael Davids (Kronos Quartet, Joffrey Ballet), creating original scores for The Maida Withers Dance Ensemble and performing live at the World Premier of “Silent Enemy” at the 1996 Santa Fe Film Fest. He has shared the stage with Daniel Lanois, Todd Rundgren, Tori Amos, Adrian Belew, The Beach Boys, Warren Zevon and a list of other talented artists.
Myers’ originality extends to this CD-packaging approach. He’s released his discs in cardboard sleeves, handmade wooden boxes and round tin canisters. Like his discs, Myers’ music can’t be put in a one-size-fits-all box.